I'm a London-based mixing engineer working across stereo and Dolby Atmos. My career began in 2011 alongside Paul Epworth at Beethoven Street Studios, where I progressed from studio assistant to recording engineer, working with artists including Adele, FKA twigs, and Glass Animals. After moving with Paul to The Church Studios in 2014, I continued to engineer at the highest level before establishing my own room. My vocal recording on FKA twigs' "LP1" earned me the MPG Award for Best Album in 2015, and I worked on her Grammy Award-winning album "EUSEXUA". These days I mix and produce vocals, working with artists such as Olivia Dean, Tom Misch, Loyle Carner and Holly Humberstone. Nearly 800 credits later, my focus remains the same - serving the song. Between sessions, I build tools for engineers and producers, combining audio expertise with software development.
Olivia Dean – Atmos Mixing: Full album Dolby Atmos mix for Olivia Dean's "The Art of Loving". Building spatial depth across the record while keeping her vocal centred and intimate.
Olivia Dean – Vocal Prod: Vocal production on "Dive" from Olivia Dean's "Messy". A fan favourite that helped define her early sound.
FKA twigs – Vocal Prod: Vocal recording across FKA twigs' debut "LP1". Mercury Prize and Grammy nominated, and winner of the MPG Award for Best Album. A defining record in experimental pop.
FKA twigs – Engineer: Engineering on FKA twigs' Grammy Award-winning album "EUSEXUA", including the title track, "Sticky" and "Keep It, Hold It".
Tom Misch – Co-Mix: Co-mixed "Better Days" with Tom Misch.
Grace Carter – Mixing: Mixing on Grace Carter's album "When Saturn Returns", including "Bittersweet Escape".
Sebastian Croft – Mixing: Mixing on "Tokyo", Sebastian Croft's single.
Elle Coves – Mixing: Mixing on "Peace", Elle Coves' single.
Olivia Dean – Mixing: Mixing on "Slowly" from Olivia Dean's "Growth" EP. An early standout that showcased her voice at its most unguarded.
Olivia Dean – Mixing: Mixing on "Fall Again" from Olivia Dean's "Growth" EP. Balancing warmth and clarity across layered vocal harmonies and live instrumentation.
FLO – Mixing: Mixing on FLO's "3 of Us", plus mixing and mastering on their remix of Stormzy's "Hide & Seek".
Aaron Rowe – Mixing & Mastering: Mixing and mastering on Aaron Rowe's 2025 releases for Columbia, including "Hey Ma", "Lose Lose" and "Exodus".
Alessi Rose – Mixing: Mixing on Alessi Rose's EPs "Voyeur" and "for your validation", including "oh my" and "eat me alive".
Dirty Blond – Mixing: Mixing on "Empty Of You", Dirty Blond's 2026 single on AMP Records.
Holly Humberstone – Atmos Mixing: Full album Dolby Atmos mix for Holly Humberstone's second album "Cruel World", including the single "To Love Somebody".
Loyle Carner – Atmos Mixing: Dolby Atmos mix and engineering on Loyle Carner's Mercury Prize-shortlisted "hugo", plus the Atmos mix of "hugo: reimagined", recorded live at the Royal Albert Hall.
Tom Misch – Vocal Prod: Vocal production across Tom Misch's "Full Circle", his first solo album since "Geography". Written between London, Cornwall, Portugal and Nashville, and recorded to tape.
Libianca – Mastering: Original mastering for "People", Libianca's breakout single, with around 800 million streams on Spotify.
HONNE – Atmos Mixing: Full album Dolby Atmos mix for "10", HONNE's anniversary collection of reimagined recordings, including "Location Unknown" with NIKI.
Glass Animals – Atmos Mixing: Dolby Atmos mix for "Vampire Bat", the first instalment of Glass Animals' Fresh Fruit Series. Translating dense, textural production into immersive space.
Sammy Virji – Atmos Mixing: Dolby Atmos mixes across Sammy Virji's album "Same Day Cleaning", including "Cops & Robbers" with Skepta, plus tracks with Giggs, Flowdan and Chris Lake.
Loyle Carner – Atmos Mixing: Full album Dolby Atmos mix for Loyle Carner's "Not Waving, But Drowning", with Jorja Smith, Sampha, Jordan Rakei and Tom Misch.
amil raja – Mastering: Mastering for amil raja's album "ephemera", including "had22", "decay" and "swings and roundabouts".
Olivia Dean – Vocal Prod: Vocal production on "Cross My Mind" from Olivia Dean's "Growth" EP.
Two Shell & FKA twigs – Vocal Prod: Vocal recording for FKA twigs on "Talk To Me", a collaboration with electronic duo Two Shell.
Good Neighbours – Atmos Mixing: Dolby Atmos mixes for Good Neighbours' debut album "Blue Sky Mentality", including "Starry Eyed" and "The Buzz".
KILIMANJARO – Atmos Mixing: Dolby Atmos mixes for KILIMANJARO, including "Good Shit" with LEILAH, "The Seeker" and "SENTA" with Dave Nunes.
Rossi. & Jazzy – Atmos Mixing: Dolby Atmos mix for "High On Me", Rossi. and Jazzy's 2025 single.
Rivo – Atmos Mixing: Dolby Atmos mix for Rivo's "Last Night", a 2024 single on Disorder and Capitol Records.
Fabiana Palladino – Vocal Prod: Vocal recording across the majority of Fabiana Palladino's self-titled debut. A meticulous, detail-driven album blending R&B, synth-pop, and art-soul.
Tender – Vocal Rec: Vocal recording across Tender's "Flux" album. Capturing the intimacy of the duo's layered electronic songwriting.
Glass Animals – Vocal Post Prod: Vocal post production on "Your Love (Déjà Vu)" from Glass Animals' "Dreamland". Refining vocal textures across a track built on nostalgic samples.
Lianne La Havas – Vocal Rec: Vocal recording on "Unstoppable" from Lianne La Havas' Grammy nominated album "Blood".
Glass Animals – Engineer: Engineering on Glass Animals' debut album "ZABA". Recorded at Paul Epworth's The Church Studios during the band's formative sessions.
Adele – Asst. Engineer: Assistant engineering on "I Miss You" and "Sweetest Devotion" from Adele's "25", the Grammy Award winner for Album of the Year.
U2 – Asst. Engineer: Assistant engineering on eight songs from U2's "Songs of Innocence", including "Every Breaking Wave" and "The Troubles" with Lykke Li.
Coldplay – Asst. Engineer: Assistant engineering on Coldplay's "Ghost Stories", co-produced by Paul Epworth. Grammy nominated for Best Pop Vocal Album.
Adele – Asst. Producer: Assistant production on "Skyfall" for Adele. Winner of the Academy Award, Golden Globe, and Brit Award for Best Original Song.
Foster The People – Asst. Engineer: Assistant engineering on "Coming of Age" from Foster the People's "Supermodel". Recorded at The Church Studios with Paul Epworth.
Florence + The Machine – Asst. Engineer: Assistant engineering on Florence + The Machine's "Ceremonials". Recorded at Abbey Road and The Church Studios with Paul Epworth.
THE ROOM
HORNSEY ROAD STUDIO
I mix from my own room in north London, built for stereo and Dolby Atmos: a 7.1.4 Neumann array around Pro Tools HDX and an Avid MTRX Studio, with NS10s for a second opinion. The rack runs from Neve 1073 and API 3124+ preamps to an EAR 660 and a pair of Telefunken V76s, with mics from a Flea 251 to Coles 4038s. There's also a piano, an OB-6, a Korg PS-3300 and a 1965 Gretsch kit for when a session needs more than a mix.
Stereo and Dolby Atmos mixing and vocal production, for artists, producers and labels, from my own Atmos room in north London. Tell me about your project, where it's at and when you need it, and I'll get back to you. When we're ready to start, you can send your files through the Uploads page.